Piopiotahi – Milford Sound

Posted by

Piopiotahi – Milford Sound

Pip Woods ‘Piopiotahi – Milford Sound’ at Michael Reid Northern Beaches

Pip Woods is a ceramic artist from Wellington, Aotearoa New zealand. She makes small collections of sculptural vessels, exploring a theme, form or technique. Pip has exhibited in New Zealand and Australia and has been a finalist in award exhibitions, including two time finalist in the NZ Portage exhibition.

“This collection of ‘Mountain Vases’ is a tribute to Piopiotahi or Milford Sound, in Fiordland Aotearoa NZ. I was fortunate enough to visit this most spectacular place this year, and was in complete awe of the vast mountain walls which rise out of the sea; the misty, mossy rainforests and the tourquoise waters. I wanted to capture glimpses of these features in this series, as well as reflect the human interaction with this environment which is reassuringly managed under the principles of ‘kaitiakitanga’ or guardianship, providing the protections necessary to preserve this pristine, magical place”. – Pip Woods

A Verdant Idyll

Posted by

A Verdant Idyll

Tina Psarianos ‘ A Verdant Idyll’ at Michael Reid Northern Beaches

Tina Psarianos is a ceramic artist based in Sydney.  Combining a consuming professional and recreational  interest in the natural sciences, her powers of observation spill over into the world of clay.

“Using coiling techniques, my pieces evolve organically.  Patterns of decay and patination produced by elements and  nature  inform my surface treatments and historical and cultural references  inspire my forms and shapes.  The results are organic, with tactile properties that  invite a conversation with the observer”.

Tina’s work is used by stylists and has appeared in Belle Magazine, Marie Claire Australia and  Inside Out Magazine.

 

Rhythms & Rituals

Posted by

Rhythms & Rituals

  • Artist
    Fliss Dodd
  • Dates
    30 Aug—30 Sep 2023

Fliss Dodd draws upon her life experiences, travel, culture, humour and everything in between as reference points and inspiration. She works closely with textiles, design and photography and her continual fascination for other cultures and travel has enabled her to develop her own unique and distinctive sense of style from which she now draws upon in her latest abstract ceramic pieces.         

She has been a finalist in the following prizes:                                                                                      

National Emerging Art Prize – 2021                                                                                             

Muswellbrook Art Prize 2022

Her pieces are held in private collections in both Australia and overseas.                                      

No two pieces are ever the same.

Rhythms and rituals sees a continuation by ceramicist and sculptor Fliss Dodd into her deepening fascination with other cultures and their reverence of the bull, ceremonies, rituals, costume, textiles and story.

Core to Fliss’s studio practice is a manner of working best described as deeply intimate, where she works with clay and textiles, making small, rhythmic, thoughtful, mediative marks on each piece.

Nature and ceremony are elucidated by Fliss’s considered suggestion of scenarios that play through her mind, manifestly abstract bull forms and anthropomorphic characters with their own particulate and nuanced offerings to time and place.

The artist has subtly introduced textiles, such as the symbolic red thread and its many significances from different cultures and traditions. The Talisman tassels and red thread suggest protection, luck and staying connected to the spiritual world. Similarly, the layering and hand stitching of fabrics is evocative of Indian Kantha quilts and West African Asafo Flags – telling a yet larger story through costume.

“My pieces are all independent characters that unfold as I create, yet they have meaning to one another and have formed their own narrative. They are born from the creative spirit of extraordinary cultures. They hold music, calmness, courage, initiations, connectedness and external rhythms through pattern and mark making. They are sculptures that explore and I find my heart sings when I make each and every one.”

Fliss Dodd (2023).

Join our mailing list
Interests(Required)
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
REGISTER YOUR INTEREST: Rhythms & Rituals